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High Society
Chairman’s Chat by Ray FisherIt only seems a few weeks ago that I was writing this piece for SuperStar – time really flies by. Many people have asked me “How do HAODS choose the shows to do?” So I asked Tim Shepherd, the Chairman of our Show Reading Committee (SRC), how they go about choosing shows. This was his reply, “We have a round table ideas session, sharing existing knowledge about shows that have been suggested, either by SRC members or by other HAODS members. We then shortlist by consensus and ask individual committee members to research shows in greater depth against a set of agreed criteria. Once all shows have been properly researched, a thorough assessment is put together for each one. The SRC then recommends a shortlist to main Committee for consideration.”
The main Committee try to pick out a good mix of shows to give all members a chance to demonstrate what they can do and to make sure we offer our audience a wide range of styles. Lots of shows which we would love to do are either unavailable or would be impossible for us to cast. Finally the Committee’s choices are put to the whole membership for a vote.
We are working over 2 years ahead and are now deciding which productions to perform in 2008! High Society is one of the good old shows but you will find that it has been considerably updated, with some things missing and new things added, so please sit back and “enjoy”.
Musical Numbers High Society
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Principle Cast |
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Tracy Lord |
Roz Hall |
Dinah Lord |
Amy Blaskett |
Margaret Lord |
Heather Kemeys |
Liz Imbrie |
Karen Robinson |
Dexter Haven |
Damian MacDonald |
Mike Connor |
Tim Wray |
George Kittredge |
Steve Cox |
Uncle Willie |
Howard Collis |
Seth Lord |
Michael Wheeler |
Philip Chadwell, Chris Hampton, Mark Jones, Kevin Summers, Bryan Swain, Gregor Thomson


Violin |
Kitty Loveridge (leader) |
Val Sutlief |
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Viola |
Chris Elvin |
‘Cello |
Connie Alexander |
Double Bass |
Sue Denyer |
Woodwind |
Neil Franks |
Alison Helsby |
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Karen Franks |
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Trumpet |
Nick Trish |
Horn |
Trevor Denyer |
Trombone |
Tim Wade |
Percussion |
Chris Ford |
Piano |
Iris Holmes |
Keyboards |
John Vinal |


Director & Choreographer |
Yvonne Chadwell |
Musical Director |
John Vinall |
Scenery |
Clifford and Brown |
Props |
HAODS |
Costumes |
HAODS |
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For Horsham District Council |
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General Manager |
Michael Gattrell |
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For HAODS |
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Production Manager |
Bryan Swain |
Stage Manager |
Tim Lawrence |
Deputy Stage Manager |
Tony Francis |
Lighting Design & Operations |
Tim Lawrence |
Sound Operator |
Steve McEvoy |
Follow Spot Operators |
Tim Ayres, |
Keith Greenwood |
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Flyman |
Peter Shapley |
Stage Crew |
Dave Fuller, |
Brian Greenwood, |
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Derek Mileham, |
Duncan Morton |
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Properties Manager |
Tim Ayres |
Properties |
Alix Chadwell |
Stephanie Daly, |
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Mary Lejeune, |
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Daisy O’Sullivan |
Costumes |
Esther Betts, |
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Barbara Gumbrill |
Continuity |
Alison Shapley |
Rehearsal Pianist |
Iris Holmes |
Box Office Manager |
Jean Salmon |
Publicity & Programme |
Mary Lejeune |
Cast Photography |
Ray Fisher |
Front of House Manager |
Gill Tanner |
Green Room Steward |
Carrie Collis |

Crazy for you
The Boyfriend
The King and I
Love Begins
at 50
Calamity Jane
Brigadoon
Darlings, you were wonderful
A Little Box of Oblivion
High Society
JCSS
South Pacific
Trial by Jury
HMS Pinafore
My Fair Lady
Pajama Game
Fiddler on the Roof
Mikado
Carousel
Chicago
Camelot